That’s what we are and all we can ever be: what we are at the moment. Even if we reflect upon that which we have done in the morning, when we write in the afternoon that’s all we are – what we are at the moment. The sum total of the existance is like what it is up to the point that you die – that’s all. So that if a cat chooses to improvise, which is, you know, a technical mastery of certain materials put in the framework of certain forms. And we are talking about jazz, so we’ll talk about its first form which is the Blues. You cannot tell me – you’ll have to prove it to me – that, when after twenty years of playing, that Charlie Parker didn’t play the Blues as many different ways as was possible within his experience. And if he had sat down to write this it wouldn’t have been any more valid, because, in the final analysis, what we heard was what we heard..[Overton tries to speak, Taylor goes on.] Just a minute, just a minute, what you are negating there is that there is skill in improvisation. What you’re negating is that – wait a minute, wait a minute. Polish, you used the work polish before. When one sites down to compose one…it’s sort of like a spiritual – this is Sunday – a spiritual thing. You know, you sit down and you start writing and you become reflective and your mind works. But whoever told you that in order to play the piano, or in order to do anything, you don’t use your mind?